Howard’s story is a travesty of something that has already been appreciated. It’s a nice story about a young wizard to enjoy, especially when we’ve never held Gaiman’s original in our hands. The concept of the hero would also need to be refined, but it does not significantly change the fact that the volume cannot be called bad. The story told in the comic is a bit chaotic, which can negatively affect the interest of (slightly older, er, let’s say, thirty-year-old readers) the whole idea. In his adventures, he is accompanied by a white owl. Fortunately, Timothy is supported by her classmate Ellie and an attractive teacher, Mrs. Meanwhile, the main character, who is to become the greatest magician in the world, has to face a dramatic reality – the aggression of the school persecutor and helplessness in matters of the heart.

What unites Howard’s arrangement with its predecessors is undoubtedly the protagonist – Tim, a rebellious teenager whose mother died under unknown circumstances, and whose father … cannot tear himself away from the TV screen, succumbing to depression. What’s more, the volume published in 2020 also differs from the concept of John Ney Rieber or Peter Gross. New weird in a classic edition, something new for loyal fans of the DC universe. The protagonist Timothy travels with heroes across different dimensions, and his adventures remain unforgettable. The notebook remains an unrivaled model due to the creativity and ingenuity of the author – we meet John Constatine, Phantom Stranger and Doctor Occult in it. The album under review is significantly different from Gaiman’s original, The Books of Magic # 1, from January 1990.

The books of magic gaiman